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  LAST  UPDATED: Ausgust 10, 2008   

I would like to thank the many people who have provided me with information regarding Steinberg so far, and still coming - someday I will include their names here but no before getting their permission. Any information you may posses about Steinberg please let me know. My e-mail is at the bottom of the page ~ John Nemaric  - PhD

BIOGRAPHY

 

William Steinberg quickly established himself as a real star in the conducting firmament of classical music after being named Music Director of the Buffalo Philharmonic in 1946. His name has been engraved forever in the famous Hollywood Walk of Fame in Los Angeles with his own star at 1645 Vine Street near the Capitol Building - he produced many outstanding recordings for the Capitol label in the 1950's.

Steinberg, as he was called even by his best friends, blatantly delighted himself and his orchestras in performing "the music nobody wants to play, nobody wants to conduct and nobody wants to hear."  He treated his musicians with courtesy and respect, regaled them with a rich sense of humor, rode the bus with them on tour, and preached such heresies as "gaiety is the only atmosphere for music making."

As for the age-old maxim that deviations from the standard classical repertoire spelled box office suicide, he persisted season after season in offering one of the most adventuresome and widely varied programs in music.

Steinberg liked to describe his role as conductor as a primus inter pares - a leader of equals - and he took great pains to let his musicians share the accomplishment.

 

Although Steinberg was and still is best know as an orchestral conductor, he was in private life an avid reader and book collector. At the time of his death his personal library included approximagely 1,400 volumes of literature, represented by titles in English, German, French, Japanese and Chinese. He collected many private press books, which were published in limited editions and signed by authors. Napoleon was one of his special interests, along with old Bibles (one dates from 1684), miniatures, and books on art, poetry, and travel. In addition to separate works, he had acquired and read Balzac, Goethe, Poe, Schiller, Shaw and Shakespeare. His music score collection consisted of approximately 800 titles, including full and study scores, opera scores, chamber works, vocal and piano solos, facsimile reprints, and recordings. He received numerous presentation copies of symphonic works, signed by the composers, such as Samuel Barber, Aaron Copland, Nicolai Lopatnikoff, Richard Strauss, Arnold Schoenberg, Ernst Toch, and Virgil Thomsom. While not a music antiquarian, Steinberg acquired early editions of Beethoven, Chopin, Haydn, and Mozart, as well as an autographed copy of Wagner's "Die Walkure." Notable musicians of his acquaintance also presented him with autographed photographs. He also experimented with china ink drawings.

TIMELINE

dates shown always correspond to the latest information available - subject to changes

 

1898, August 1 - Born, Cologne, Germany.

1911 - At age 13 composes a cantata for chorus and orchestra based on Ovid's Metamorphoses.

1914/18 - Member of a German military band during WW I - played the French Horn.

1920 - Wins the Wülner prize in conducting in this his graduation year at the Cologne Conservatory. Recitation instruments: piano and violin.

1920 - Appointed Assistant Conductor to Otto Klemperer at the Cologne Opera.

1924 - After Otto Klemperer's departure from the Cologne Opera is appointed Conductor in his replacement.

1925 - Takes the post of Conductor of the German Theater of Prague.

1928 - First known recording (for the Columbia label) in Germany with Bronislaw Huberman playing the "Gibson" Stradivarius (now owned by Joshua Bell).

1929 - Becomes Musical Director of the Frankfurt Opera.

1934 - Banned from the podium by the German government for political reasons while rehearsing the premiere of one of Ernst Toch operas: "Der Fächer." Goes underground musically speaking.

1936 - Emigrates to the Palestine Protectorate (UK). Co-founder with Bronislaw Huberman of the Palestine Orchestra, later to become the Israel Philharmonic Orchestra. 

1938 - Arrives to the US and becomes Assistant Conductor to Arturo Toscanini's and the NBC Symphony Orchestra.

1942 - First recording for US Columbia Records.

1942, November 13 - First concert with the Philadelphia Orchestra as a guest conductor. Program included:

  • Carl Maria von Weber: Overture to The Freischutz.
  • Johannes Brahms: Symphony No. 3, Opus 90.
  • Ivan Langstroth: Scherzo
  • Igor Stravinsky: Fireworks, Opus 4.
  • Richard Strauss: Don Juan, Opus 20.
  • Franz Liszt & Byrns: Grand Galop Chromatique  (arr.) for orchestra.

1945 - Becomes Musical Director and Conductor of the Buffalo Philharmonic Orchestra. Leaves the BPO in 1952 for Pittsburgh.

1946 - First recording with RCA Records.

1952, January 4 - First concert with the PSO as a guest conductor.  Venue: Syria Mosque. Program included:

  • Georg Frederick Händel : Music for the Royal Fireworks.
  • Franz Schubert : Symphony No. 2 in B-flat major, D. 125
  • Gustav Mahler : Symphony No. 1 in D major.

1952, October 31 - Becomes Musical Director and Conductor of the Pittsburgh Symphony Orchestra. First work conducted as Musical Director of the orchestra: Variations on a Theme by Haydn , Opus 56a  by Johannes Brahms. Venue: Syria Mosque.

1952 - First recording with the PSO for Capitol Records.

1952 - First recording with the PSO for ASCAP.

1955 - Premieres Ernst Toch Third Symphony ; wins the 1956 Pulitzer Prize.

1958 - Jointly with Conductor John Pritchard awarded a shared first prize in conduction to Zubin Metha, Haig Yaghjian and Sverre Bruland at Liverpool's international competition for conductors.

1959 - Appointed Musical Advisor to Haig Yaghjian.

1959 - Hires my friend Ray Marsh as Assistant Violist.

1960 - First recordings with the PSO for Everest Records on 35 mm magnetic film strip.

1960 - First recording with the PSO for Command Records. Recording engineer was C. Robert Fine of Fine Sounds, NYC. Recorded on 35 mm magnetic film strip.

1960, January 1 - First concert as a Guest Conductor with the Boston Symphony Orchestra. Venue: Boston Symphony Hall. Program included:

  • Joseph Haydn: Symphony No. 99 in E flat.
  • Richard Strauss: "Tod un Verklärung" , Opus 24 (Death and Transfiguration).
  • Gustav Mahler: Symphony No. 1 in D major.

1960, February 12 - Under his auspices Haig Yaghjian makes his debut as Guest Conductor of the PSO. Would later become the PSO's Assistant Conductor.

1961, February - Appears as a guest conductor in Philadelphia, New York's Carnegie Hall, Baltimore and Chicago.

1964, August 10 through November 1 - Tour of Europe and Near East under de auspices of the Office of Cultural Presentations, Department of State, USA.  Cities and Countries: Athens, Greece; Beirut, Lebanon; Teheran, Iran; Lucerne, Swittzerland; Edinburgh, Scottland, United Kingdom; Luxembourg, Luxembourgh; Frankfurt, Germany; Berlin, Germany; Warsaw, Poland; Krakow, Poland; Katowice, Poland; Lodz, Poland; Sarajevo, Yugoslavia; Ljubljana, Yugoslavia; Zagreb, Yugoslavia; Belgrade, Yugoslavia; Munich, Germany; Milan, Italy; Turin, Italy; Florence, Italy; Lyon, France; Bilbao, Spain; Madrid, Spain; Barcelona, Spain; Lisbon, Portugal; Oporto, Portugal; Reykjavik, Iceland.

1964 - Receives an Honorary Doctors Degree from Duquesne University, Pittsburgh, Pennsylvania, USA.

1969, September 26 - Becomes Music Director and Conductor of the Boston Symphony Orchestra. First work conducted as Musical Director: Overture to "The Consecration of the House" , Opus 124, by Ludwig van Beethoven.

1970 - First recording with the Boston Symphony Orchestra for DGG.

1971, April - Takes the Boston Symphony Orchestra on tour to Europe.

1973 - Tour of Oregon (USA), Alaska (USA) and Japan with the Pittsburgh Symphony Orchestra. Participates in the 1973 Osaka Music Festival.

1974, March 26 - Last appearance as a Conductor with the Boston Symphony Orchestra. Only work performed: Symphony No 7  by Anton Bruckner.

1974, July 25 - Last appearance as a Conductor with the Philadelphia Orchestra. Program included: the Concerto No. 1 in B-flat major for Piano and Orchestra, Opus 23 by Pyotr I'lyich Tchaikovsky with Van Cliburn at the piano.

1977, December 18 - Last work as a conductor with the Pittsburgh Symphony Orchestra: Manfred Symphony, Opus 58 by Pyotr I'ylich Tchaikowsky. Venue: Heinz Hall.

1978, May 16 - Died, New York City, USA

2007 - With the last concert of the season 2006/07 my good friend Ray Marsh (Violist Emeritus) retires from the PSO after 48 years in the viola section. He was hired by Steinberg in 1959.

ANECDOTES / QUOTES

"On our tours, when we give communities a choice of programs, they generally choose pieces by the three great American composers: Bach, Beethoven, and Brahms."

-----

After the first piece the players of the Baltimore Symphony Orchestra (February 1961) declined his invitation to stand and share in the applause, but sat and applauded with the audience.

-----

After the performance of Bruckner's Eight's Symphony in New York, one of the symphony staff told him admiringly,                " I happened to be up in the second balcony and I stood through the whole performance."  Said Steinberg dryly, "So did I." 

-----

Steinberg when on tour travels with the members of the orchestra, not a very common event; the PSO had three buses. According to him these were the buse's names:

Bus # 1: "The Stinker Bus", permits smokers; his bus.

Bus # 2: "The Hospital Bus", very quiet and peaceful, and non-smoking.

Bus # 3: "............", there is no adequate language to describe it...

-----

Steinberg was rehearsing the PSO and had completed a run of Tchaikovsky's 1812 Overture. Next came Anton von Webern's "Six Pieces for Orchestra", Opus 6; he had premiered that work in the US in 1957. Raising his baton, he smiled at the orchestra and quipped: "...first the Hit Parade" then the "...Sh...t  Parade."

Steinberg was completely frank in his evaluation of a well-known singer who appeared with the orchestra on one of its tours. "How did she sound?"  he was asked. He answered in a single word: "Local."

-----

 

The young man on the podium was flogging the Royal Liverpool Philharmonic Orchestra at a dead run through Mendelssohn's Italian Symphony when a handclap sounded from the raised platform in the rear. "Mr. Goldstein," said Conductor William Steinberg with icy politeness, "why are you in such a hurry? We admire the playing of the orchestra, and we are surprised they can play all the notes, but we would rather listen to the music of Mendelssohn."

-----

Conductor Steinberg did as much teaching as judging. He went on the theory that all conductors are wrapped in conceit..."The degree of conceit among conductors is enormous, even in beginners."  One such conductor remarked that "he demolished your authority entirely right in front of the orchestra."

-----

Once when he spotted a shoulder-to-waist stroke (an exagerated gesture on the part of a prospective conductor), he inquired acidly: "Are you a windmill?"

-----

The prospective conductor thought that one group played their eighth notes too fast...he had thought the second violins were the culprits of such mistake..."To my ear," said Steinberg, "it was the violas, but I did not want to let out the secret."

-----

 

The (conductors) contest did not turn up the "fair-haired wonder boy we were looking for." Said he: "Conducting is, in its best sense, conveying experience. How can young men convey experience?"

-----

Steinberg performed frequently with the PSO Anton Bruckner's music. He recorded Bruckner's Overture in G minor and was issued by Command Classics (LP 12002 S) in 1968. However, this recording was never listed on any catalog of the time (see Schwann catalog). Later on Steinberg's Bruckner recordings were re-issued on a MCA double CD but the overture was omitted. The result, Steinberg's recording with the PSO of this particular Bruckner piece has never been listed anywhere to this date. I own an original LP of this recording.

REPERTOIRE

Steinberg had a very large repertoire which included more than 600 works from different composers including more than 20 operas.

To see a partial list of the titles

left click bellow

WILLIAM STEINBERG REPERTOIRE

ARTISTS

Steinberg conducted many orchestras for many artists over the course of his life. This is a partial list with the name of the artist, instrument or voice, year of the performance and location of the concert.

To see a partial artists list left click bellow

WS GUEST ARTISTS LIST

PHOTO GALLERY

The PSO's 1964 Europe Tour

itinerary program front cover 

 

 

In Athens 1964

In Athens 1964

In Athens 1964

At the Edimburgh Festival

========================= 

The PSO's tour of Japan (Osaka Festival) in 1973 with William Steinberg (cond.) and Donald Johannos (assist. cond.).

 

 

 

 

 

 

 

 

 

ORIGINAL RECORDINGS DISCOGRAPHY

 

Steinberg as far as we have been able to determine made his first phonograph recording (78 rpm) in 1928 providing orchestral backup to Bronislaw Huberman's recording of Pyotr I'lyich Tchaikovsky's violin concerto with the Berliner Staatskapelle Orchestra for Columbia. At that time Huberman was playing the most famous of all Stradivarius violins, the Gibson Strad. Many recordings followed after that.

The list that follows (in an Excel file) refers only to the original recordings; most of these recordings have been reissued in CD format. There are a number of recordings which although recorded by one label later on were reissued by another label and in some cases multiple labels.

To this day we have accounted for 155 original recordings with many different orchestras and artists.

Known recordings titles and labels: (the dates are subject to revision as new and more data becomes available)

  1. ASCAP = 9 (1952-1967)
  2. Capitol = 69 (1952-1961)
  3. Columbia = 5 (1928-1949)
  4. Command Performance = 44 (1960-1972)
  5. DGG = 4 (1970-1972)
  6. Everest = 6 (1960)
  7. RCA = 11 (1946-1970)
  8. UNKNOWN = 12 (1928-1946)

The recordings for Everest and Command were engineered by C. Robert Fine apparently most of the time using in different ways arrays Stanley Church/MGM/Neumann U47 modified tube microphones, and all of them recorded on 35 mm magnetic film strip. These were true audiophile recordings.

This is a partial list

ORIGINAL RECORDINGS DISCOGRAPHY LIST

ORIGINAL AND RE-ISSUED DISCOGRAPHY

 

DATE OF RECORDING: 1945

RELEASE DATE: 4/16/2002

LABEL: Archipel

CATALOG # : 57

ORCHESTRA:

Hollywood Bowl Symphony Orchestra

MEDIA TYPE: CD

RECORDED IN: Mono

VENUE: Live Los Angeles, California, USA

_____________________________________________________________

 

DATE OF RECORDING: 1946

RELEASE DATE: 10/1/2002

LABEL: Classica D'Oro

CATALOG # : 1045

ORCHESTRA:

Buffalo Philharmonic Orchestra

MEDIA TYPE: CD

RECORDED IN: Mono

VENUE: n/a

_____________________________________________________________

 

DATE OF RECORDING: n/a

RELEASE DATE: 7/14/2006

LABEL: DGG

CATALOG # : 000658302

ORCHESTRA:

New York Philharmonic

Pittsburgh Symphony Orchestra

Los Angeles Philharmonic

Utah Symphony Orchestra

MEDIA TYPE: CD

RECORDED IN: Stereo

VENUE: n/a

_____________________________________________________________

 

DATE RECORDED: 1953-54-55

RELEASE DATE: 9-11-2001

LABEL: EMI

CATALOG # : 67584

ORCHESTRA:

Pittsburgh Symphony Orchestra

MEDIA TYPE: CD

RECORDED IN: Mono

VENUE: Syria Mosque, Pittsburgh, Pennsylvania, USA

_____________________________________________________________

 

DATE RECORDED: 1960

RELEASE DATE: 10-17-1995

LABEL: EMI Seraphim

CATALOG # : 69021

ORCHESTRA:

Vienna Philharmonic Orchestra

MEDIA TYPE: CD

RECORDED IN: Stereo

VENUE: Muiskvereinsaal, Vienna, Austria

_____________________________________________________________

 

DATE RECORDED: n/a

RELEASE DATE: 7-19-2005

LABEL: EMI

CATALOG # : 58035

ORCHESTRA:

Pittsburgh Symphony Orchestra

MEDIA TYPE: CD & DVD

RECORDED IN: Stereo

VENUE: n/a

_____________________________________________________________

 

DATE RECORDED: 1957-59

RELEASE DATE: 7-20-1993

LABEL: EMI

CATALOG # : 64830

ORCHESTRA:

Pittsburgh Symphony Orchestra

MEDIA TYPE: CD

RECORDED IN: CD

VENUE: n/a

_____________________________________________________________

RECORDED DATE: 1945

RELEASE DATE: 1-11-2000

LABEL: Enterprise

CATOLOG # :332

ORCHESTRA:

Hollywood Bowl Symphony Orchestra

MEDIA TYPE: CD

RECORDED IN: Mono

VENUE: Live Hollywood Bowl, Los Angeles, California, USA

_____________________________________________________________

RECORDED DATE: 1960

RELEASE DATE: 2-20-1996

LABEL: Everest

CATALOG # : 9027

ORCHESTRA:

Pittsburgh Symphony Orchestra

MEDIA TYPE: CD

RECORDED IN: Stereo

VENUE: Syria Mosque, Pittsburgh, Pennsylvania, USA

_____________________________________________________________

RECORDED DATE: 1960

RELEASE DATE: 2-21-95

LABEL: Everest

CATALOG # : 9016

ORCHESTRA:

Pittsburgh Symphony Orchestra

MEDIA TYPE: CD

RECORDED IN: Stereo

VENUE: Syria Mosque, Pittsburgh, Pennsylvania, USA

_____________________________________________________________

RECORDED DATE: 1960

RELEASE DATE: 1994

LABEL: Everest

CATALOG # : 9003

ORCHESTRA:

Pittsburgh Symphony Orchestra

MEDIA TYPE: CD

RECORDED IN: Stereo

VENUE: Heinz Hall, Pittsburgh, Pennsylvania, USA

_____________________________________________________________

RECORDED DATE: 1960

RELEASE DATE: 9-16-1997

LABEL: Everest

CATALOG # : 9038

ORCHESTRA:

Pittsburgh Symphony Orchestra

MEDIA TYPE: CD

RECORDED IN: Stereo

VENUE: Syria Mosque, Pittsburgh, Pennsylvania, USA

_____________________________________________________________

RECORDED DATE: 1951

RELEASE DATE: 1-24-2006

LABEL: Idi

CATALOG # : 6475

ORCHESTRA:

RCA Victor Symphony Orchestra

MEDIA TYPE: CD

RECORDED IN: Mono

VENUE: Stage 9, Republic Studios, Hollywood, California, USA

_____________________________________________________________

RECORDED DATE: 1947

RELEASE DATE: 7-27-2004

LABEL: Idi

CATALOG # : 6433

ORCHESTRA:

RCA Victor Symphony Orchestra

MEDIA TYPE: CD

RECORDED IN: Mono

VENUE: Stage 9, Republic Studios, Hollywood, California, USA

_____________________________________________________________

RECORDED DATE: n/a

RELEASE DATE: 12-6-2000

LABEL: Laserlight

CATALOG # : 24489

ORCHESTRA:

Pittsburgh Symphony Orchestra

MEDIA TYPE: CD

RECORDED IN: Stereo

VENUE: n/a

_____________________________________________________________

RECORDED DATE: 1943

RELEASE DATE: 9-24-2002

LABEL: Music & Arts

CATALOG # : 1107

ORCHESTRA:

New York Philharmonic

MEDIA TYPE: CD

RECORDED IN: Mono

VENUE: n/a

_____________________________________________________________

RECORDED DATE: 1949

RELEASE DATE: 11-28-2000

LABEL: Music & Arts

CATALOG # : 4963

ORCHESTRA:

Hollywood Bowl Symphony Orchestra

MEDIA TYPE: CD

RECORDED IN: Mono

VENUE: n/a

_____________________________________________________________

RECORDED DATE: 1928

RELEASE DATE: 5-20-2002

ORIGINAL LABEL: Columbia

THIS LABEL: Opus Kura

CATALOG # : 2007

ORCHESTRA:

Berlin Staatskapelle Orchestra

MEDIA TYPE: CD

RECORDED IN: Mono

VENUE: Berlin, Germany

_____________________________________________________________

RECORDED DATE: 1947

RELEASE DATE: 6-22-1999

LABEL: Pearl

CATALOG # : 51

ORCHESTRA:

RCA Victor Symphony Orchestra

MEDIA TYPE: CD

RECORDED IN: Mono

VENUE: n/a

_____________________________________________________________

RECORDED DATE: n/a

RELEASE DATE: 3-22-2005

LABEL: Pearl

CATALOG # : 219

ORCHESTRA:

RCA Victor Symphony Orchestra

MEDIA TYPE: CD

RECORDED IN: Mono

VENUE: n/a

_____________________________________________________________

RECORDED DATE: 1944

RELEASE DATE: 1-21-1993

LABEL: Pearl

CATALOG # : 9981

ORCHESTRA:

New York Philharmonic

MEDIA TYPE: CD

RECORDED IN: Mono

VENUE: n/a

_____________________________________________________________

RECORDED DATE: 1928

RELEASE DATE: 12-23-1992

ORIGINAL LABEL: Columbia

LABEL: Pearl

CATALOG # : 9332

ORCHESTRA:

Berlin Staatskapelle Orchestra

MEDIA: CD

RECORDED IN: Mono

VENUE: n/a

_____________________________________________________________

RECORDED DATE: 1946

RELEASE DATE: n/a

LABEL:   L Y S

CATALOG # : 186

ORCHESTRA:

Orchestre Philarmonique de Buffalo

MEDIA: CD

RECORDED IN: Mono

VENUE: n/a

_____________________________________________________________

RECORDED DATE: n/a

RELEASE DATE: n/a

LABEL: (Angel) Seraphim

CATALOG # : 69026

ORCHESTRA: n/a

MEDIA: CD

RECORDED IN: n/a

VENUE: n/a

_____________________________________________________________

RECORDED DATE: 1952/53

RELEASE DATE: 1997

LABEL: EMI

CATALOG # : 66555

ORCHESTRA:

Pittsburgh Symphony Orchestra

MEDIA: CD

RECORDED IN: Mono

VENUE: n/a

_____________________________________________________________

RECORDED DATE: n/a

RELEASE DATE: 2000

LABEL: Disky

CATALOG # : 70676

ORCHESTRA:

Pittsburgh Symphony Orchestra

MEDIA: CD

RECORDED IN: n/a

VENUE: n/a

_____________________________________________________________

RECORDED DATE: 1957

RELEASE DATE: n/a

LABEL: EMI

CATALOG # : 65610

ORCHESTRA:

n/a

MEDIA: CD

RECORDED IN: n/a

VENUE: n/a

_____________________________________________________________

RECORDED DATE: 1946

RELEASE DATE: 7-10-2001

LABEL: RCA Victor Red Seal

CATALOG # : 63017

ORCHESTRA:

NBC Symphony  Orchestra

MEDIA: CD

RECORDED IN: Mono

VENUE: n/a

_____________________________________________________________

RECORDED DATE: 1951

RELEASE DATE: 6-17-1997

LABEL: RCA Victor Gold Seal

CATALOG # : 61753

ORCHESTRA:

RCA Victor Symphony Orchestra

MEDIA: CD

RECORDED IN: Mono

VENUE: Stage 9, Republic Studios, Hollywood, California, USA

_____________________________________________________________

RECORDED DATE: 1951

RELEASE DATE: 6-16-1998

LABEL: RCA

CATALOG # : 63154

ORCHESTRA:

RCA Victor Symphony Orchestra

MEDIA: CD

RECORDED IN: Mono

VENUE: Hollywood, California, USA

_____________________________________________________________

RECORDED DATE: 1950

RELEASE DATE: 9-21-1998

LABEL: RCA Victor Red Seal

CATALOG # : 68442

ORCHESTRA:

Robin Hood Dell Orchestra of Philadelphia

MEDIA: CD

RECORDED IN: Mono

VENUE: n/a

_____________________________________________________________

RECORDED DATE: 1950

RELEASE DATE: 2-8-2000

LABEL: RCA Victor Red Seal

CATALOG # : 68992

ORCHESTRA:

Robin Hood Dell Orchestra of Philadelphia

MEDIA: CD

RECORDED IN: Mono

VENUE: Academy of Music, Philadelphia, Pennsylvania, USA

_____________________________________________________________

RECORDED DATE: 1951

RELEASE DATE: 9-13-1994

LABEL: RCA Victor Red Seal

CATALOG # : 62645

ORCHESTRA:

RCA Victor Symphony Orchestra

MEDIA: CD

RECORDED IN: Mono

VENUE: Stage 9, Republic Studios, Hollywood, California, USA

_____________________________________________________________

RECORDED DATE: n/a

RELEASE DATE: 4-21-2003

LABEL: Universal

CATALOG # : 474541

ORCHESTRA:

Boston Symphony Orchestra

MEDIA: CD

RECORDED IN: Stereo

VENUE: n/a

_____________________________________________________________

RECORDED DATE: 1940

RELEASE DATE: 2-19-1996

LABEL: VAI Audio

CATALOG # : 1084

ORCHESTRA: n/a

MEDIA: CD

RECORDED IN: Mono

VENUE: n/a

_____________________________________________________________

RECORDED DATE: n/a

RELEASE DATE: 3-15-94

LABEL: EMI

CATOLOG # : n/a

ORCHESTRA:

Pittsburgh Symphony Orchestra

MEDIA: CD

RECORDED IN: Stereo

VENUE: n/a

_____________________________________________________________

MORE FOLLOWS - A LOT MORE - HAVE PATIENCE

 

LINKS

John Nemaric - PhD